The PATCH method requests that a set of changes described in the If the Request-URI does not point to an existing resource, and that URI is capable of being defined as a new resource by the requesting user agent, the origin server can create the resource with that URI. If the Request-URI refers to an already existing resource, the enclosed entity SHOULD be considered as a modified version of the one residing on the origin server. Until they are lighting it up big time once again.The PUT method requests that the enclosed entity be stored under the supplied Request-URI. Another calm then it's building again 16 minutes in Just killing it! It settles back after 9 1/2 minutes and the distortion stops after 10 minutes as we get bass and drums with picked guitar. Love that distorted guitar and check it out after 7 1/2 minutes. Before 2 minutes we get this BLACK SABBATH-like heaviness as it starts to build. "Feigenmonolog" opens with some deep atmosphere with guitar expressions in this laid back start. It's building again! It keeps building and the tempo is speeding up until all hell breaks loose. Spoken distorted words before 13 minutes. It's slowed right down at 10 1/2 minutes then after 12 minutes it's pretty much drums, synths and some heavy bass lines. So good! The heaviness is back before 5 1/2 minutes as the vocals step aside for two minutes. Nice bass 3 1/2 minutes in as the spoken words continue. It settles back at 1 1/2 minutes as the drums, bass and distorted guitar continue, just not as in your face. "Stardust Service" opens with distortion galore then the drums and bass kick in with a groove as the distorted guitar solos over top with aggression. It settles back quite a bit after 11 1/2 minutes to a more trippy, atmospheric sound to the end. She's back with space whispers before 8 minutes as sounds echo. Intense as distant male vocals arrive but they don't stay long. The guitar is grinding away almost swirling. "Spaceman" opens with pulsating sounds that are speeding up until the disappear as a heavy groove kicks in. Here we go! Just killing it before 2 minutes and check out the distortion before 3 minutes as they rip it up.
This one starts off in a laid back manner with bass, drums and relaxed guitar but it's building in intensity and tempo. "Kleiner Knaller" is a top three track along with the next two. That heavy beat is back after 16 minutes as the vocals also return.
The heavy riffs and beats stop before 12 minutes as we get hit with a distorted guitar and then it turns dark and experimental. Love that guitar before 7 minutes as well as the heaviness with vocals continues to lay waste. This is a mid-paced head banger and the guitar 3 minutes in is just screaming. Male vocals come in with a monotoned flavour a minute in. "Doomsday Machine" opens with this ominous repetitive beat with a fuzzed out guitar and bass helping out.
#Cool record edit pro 9.1.2 plus#
"The Doomsday Machine" is a long one as a lot of Space Rock albums are at almost 80 minutes while "Stardust Rituals" clocks in at 45 plus minutes. I prefer the new one surprisingly which is a top ten for 2017 for me. It's not as powerful as "The Doomsday Machine" which is fuelled by those distorted guitar expressions, no it's driven by the organ much of the time and is quite trippy. I was so impressed with this band's latest called "Stardust Rituals". Oh, she's an Illustrator by trade so check out the art work she does on this band's albums. I have to mention Komet Lulu who also plays with Schmidt in ZONE SIX, well she's the bass player and adds, vocals, effects, space echo and bass synths. Dave also recorded, produced and mixed this recording.
Basically a trio of bass, guitar and drums with Schmidt adding guitar, synths, vocals and effects. This is my favourite of those outlets ELECTRIC MOON. I'm a big fan of Dave Schmidt or if you wish Sula Bassana and this German's many musical outlets.
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